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Brussels Blooms: The Artistic and Musical Renaissance of Choux de Bruxelles

In the heart of Belgium, a vibrant artists' collective has been cultivating innovative music for over three decades. This group, known as Choux de Bruxelles, has not only sustained its creative energy but also diversified into multiple projects that span various genres. At the center of this artistic ecosystem is Jaune Toujours, a band that has evolved with time while maintaining its unique identity. Piet Maris, the band's leader, singer, and accordionist, shares insights into their longevity and the influences that have shaped their sound.

One of the key elements in Jaune Toujours' enduring success is their adaptability. Despite facing challenges common to many bands—such as shifting personal lives and dwindling enthusiasm—they have managed to stay relevant by embracing new sounds and collaborations. Piet attributes much of this resilience to their willingness to experiment and diversify. For instance, the band's incorporation of ska rhythms came from an unexpected source: playing with Roma musicians where ska provided a natural fit for backing tracks. This fusion has become more pronounced in their latest album, Vertigo, which features a blend of languages and styles that reflect the multicultural fabric of Brussels.

The collective nature of Choux de Bruxelles extends beyond Jaune Toujours. Other projects, like 3’Ain and Mec Yek, offer distinct musical identities yet remain interconnected through shared members and resources. This collaborative approach has fostered a rich ecosystem where each project can thrive independently while contributing to the collective's overall vitality. Sarah Baur, Piet’s partner in both life and art, highlights how this diversity benefits the collective, allowing them to release albums consistently and provide opportunities for emerging talent, such as their son Viggo’s recent contributions.

Beyond music, Choux de Bruxelles has embraced multimedia, with Sarah leading the charge in design and video production. Her work on the album artwork for Vertigo captures the essence of the 90s fanzine era while infusing it with modern aesthetics. This holistic approach to creativity ensures that every aspect of their output is cohesive and meaningful. Despite operating on limited resources, the collective receives support from Flemish authorities and authors' unions, enabling them to produce high-quality content without compromising their artistic vision.

The future looks promising for Choux de Bruxelles as they navigate the evolving landscape of live performances and audience engagement. While the pandemic disrupted the live music scene, Piet remains optimistic about the resurgence of interest in live experiences. As people rediscover the joy of live music, the collective is poised to welcome new audiences and continue their legacy of innovation and collaboration. Their story is a testament to the power of perseverance, creativity, and community in sustaining artistic endeavors.